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PAUL PRESCOTT
Paul is Capital Centre Lecturer
in English at the University of Warwick, UK. He has acted and
taught Shakespeare in the United Kingdom, Japan, Australia and
America. This summer he will be joining the ensemble of PERICLES.
This will be his seventh production with PBSF, having played
Cassius (JULIUS CAESAR), Ford (MERRY WIVES OF WINDSOR),
Iago (OTHELLO), Romeo (ROMEO AND JULIET), The Actor
(THE WOMAN IN BLACK), and Stanton (DANGEROUS CORNER).
Paul grew up in England and studied English Literature at Wadham
College, Oxford University, where he won the 1997 Violet Vaughan
Morgan Prize for Renaissance Drama. He subsequently earned a
Masters and Doctorate in Shakespeare Studies from the Shakespeare
Institute, Stratford-upon-Avon.
Before joining PBSF as an Associate Artist he has acted in many
productions. In Milton Keynes, he played Leonardo (BLOOD WEDDING),
Henrik (A LITTLE NIGHT MUSIC), Charles Surface (THE
SCHOOL FOR SCANDAL), and Nicholas in the first nine-hour,
full-length production of THE LIFE AND ADVENTURES OF NICHOLAS
NICKLEBY since the RSC premiere. At Oxford University he
played, among other parts, Angelo (MEASURE FOR MEASURE),
Lysander (A MIDSUMMER NIGHT'S DREAM), Ferdinand (THE
TEMPEST), Guildenstern (ROSENCRANTZ AND GUILDENSTERN ARE
DEAD), Charles Marlowe (SHE STOOPS TO CONQUER), and
co-wrote and acted in SHAKESPEARE FOR BREAKFAST at the
Edinburgh Festival 1995.
For the Shakespeare Institute Players he acted Hamlet, Berowne
(LOVE'S LABOUR'S LOST), Proteus (THE TWO GENTLEMEN
OF VERONA), Petruchio (THE TAMING OF THE SHREW), Giovanni
('TIS PITY SHE'S A WHORE) and numerous other roles in
Renaissance drama revivals.
When not acting, Paul teaches, lectures and writes on Shakespeare
and theatre history. Before joining Warwick University, he has
taught at University College, Worcester; The Shakespeare Centre,
Stratford-upon-Avon; the Birmingham Conservatoire; and the University
of Alabama, Tuscaloosa, where, he claims, he had "the great
good fortune to meet Kevin Crawford." He has conducted workshops
in Tokyo and Kyoto, Japan, and across the United Kingdom with
Brave New Shakespeare, a company he co-founded and which aimed
to provide affordable and entertaining introductions to Shakespeare
to schoolchildren of all ages. He has lectured at Palm Beach
Atlantic University; Trinity College, Dublin; and Nottingham
Trent University; whilst also presenting papers at conferences
in Miami, Minneapolis, Cambridge, Stratford-upon-Avon and Victoria.
As a writer, Paul has published reviews and articles in such
journals as New Theatre Quarterly, Cahiers Elisabethains, and
Shakespeare Survey. Other publications include introductions
to HAMLET in performance and to CORIOLANUS for the revised New
Penguin Shakespeare editions and a book on RICHARD III in performance
for Palgrave.
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